By Linda N. Groat, Carole Després (auth.), Ervin H. Zube, Gary T. Moore (eds.)
This 3rd quantity in Advances in setting, habit, and layout fol lows the conceptual framework followed within the prior volumes (see the Preface to quantity 1, 1987). it truly is geared up into 5 sections advances in conception, advances in position, person workforce, and sociobehavioral examine, and advances in examine usage. The authors of this quantity symbolize a large spectrum of the multi disciplinary environment-behavior and layout box together with architec ture, environmental psychology, facility administration, geography, human elements, sociology, and concrete layout. the amount deals interna tional views from North the USA (Carole Despres from Canada, a number of authors from the U.S.), Europe (Martin Krampen from Germany, Martin Symes from England), and New Zealand (David Kernohan). extra so than any of the former volumes, they're drawn from either academia perform. whereas there remains to be a continuity in structure within the sequence, we're actively exploring new instructions which are at the slicing edges of the sphere and bode good for a extra built-in destiny. This quantity will fur ther advance the topics of layout perform to comple ment the sooner emphases on idea, learn, and methods.
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Extra resources for Advances in Environment, Behavior, and Design
Although Herdeg deals exclusively with an analysis of the Harvard architecture program (which Gropius headed between 1937 and 1953), the profound influence of this design program throughout the United States and elsewhere makes this an important study. According to Herdeg's analysis, the two essential characteristics of Bauhauslegacy design are (1) a diagrammatic plan, conceived as "a literal expression of functional relationships" (p. 2), and (2) an exterior design based on clever variations in patterning to achieve visual stimulation.
Broadbent, 1977; Jencks, 1977). A second critique of modernist epistemological assumptions in con- Architectural Theory and Design Research 25 FIGURE 9. The principle of decomposition, typical of poststructuralist architecture, is expressed in the design of the architect Frank Gehry's own house in Santa Monica, California (1978). Photograph by Linda Groat. temporary theory is provided by the phenomenological perspective. Perez-Gomez (1983) is perhaps the most explicit in his critique of contemporary architectural discourse.
Through a structured content analysis of the elevations of vernacular and neovernacular houses, the author established discriptors for both the original style and its "neD" counterpart. The two stylistic expressions were then compared in their compositional, functional, and 36 Linda N. Groat and Carole Despres symbolic aspects in order to establish the extent to which the neostyle had remained "true" to the original style. The results indicated that the popularity of the neovernacular style could be explained neither by the desire for stylistic authenticity nor by nostalgia for a lost mode of dwelling.
Advances in Environment, Behavior, and Design by Linda N. Groat, Carole Després (auth.), Ervin H. Zube, Gary T. Moore (eds.)